Call her a red haired Jewish soul eyed brick wall Los Angeles blues belter wide stance evil eye coffee espresso stare melt you into the sidewalk.
You needn’t say more unless you feel like it.
Big Irish lug nut sits on the ride cymbal, too lost in his two four fills to hear the singer, nothing more than a shoulder blade on his middle tom.
Still, two days later he draws the picture in full fashion: shafts of sun piping the next door brickpile; longneck Buds, a shower of smoke, guitar case coffins; stage stack of Clapton drivers, one China rip and roll sax.
Mustang Sally holds up a strong pale hand, cantering the tempo. The band stays rutstuck lagging, but not me, me and my high hat frills. I follow her fingers all the way down with the cue of my sticks: twelve bars, twelve bars and home.
First published in Eureka Literary Magazine(Eureka, Illinois)
From the collection Great Showtunes of the American Stage
Photo: the author on the drums